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With her throaty, tongue-tied deliveries and darkly imposing features, Bracco turns this dim, self-deluding bystander into a woman of seething credibility, impossibly spoiled but personally ungratified. But Robbie's Naomi Lapaglia is only ever a prop within Scorsese's scenery, crucially lacking Bracco's compulsive, unfakeable, flesh-and-blood authenticity in a superficially similar role. Lorraine Bracco as Karen Hill in Goodfellas (1990)Īs Leonardo DiCaprio’s kept, carnal wife in 2013's The Wolf of Wall Street, Margot Robbie earned some complimentary nods to Lorraine Bracco's scrappy rendering of real-life mob wife Karen Hill. Her long-awaited moment alone with Lewis-complete with a side-slit dress and a seductive rendition of “Come Rain or Come Shine”-will leave you gasping for air. De Niro's Rupert Pupkin may be hell-bent on getting famous at any cost, but Masha is motivated by a desire whose genesis is far more difficult to pin down instead of filling in the blanks, Bernhard foregrounds the character's outrageous, id-driven idiosyncrasy, which burns right through common sense and rationality.
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The unimprovable Bernhard, herself a brilliant critic of celebrity culture, lends the character a poignantly surreal touch, keeping Masha on a precariously exhilarating scale between innocence and insanity in one of the funniest, fiercest, and most indelible supporting performances of the 1980s. Running along the edges of The King of Comedy, Scorsese's hilarious, underrated satire about a wannabe comic (Robert De Niro) and a late night legend (Jerry Lewis), is Sandra Bernhard’s Masha, an unhinged rich girl who fosters a pure, batshit passion for Lewis' Johnny Carson-like luminary. Sandra Bernhard as Masha in The King of Comedy (1982)